My proposed design was something simple, as I didn’t want to get too lost into perfecting it. All in all, it took about six hours to paint. It marks my first work with paint in probably 15 years, as I’ve been illustrating in digital for such a long time, now.
The end result didn’t quiet match up with the original submission, as I started the evening working in direct sunlight and didn’t account for how quickly the paint was drying. You can find my piece on the southwest corner of Chestnut and Third Streets.
I recently completed the August 2018 cover of The Burg, though what few people know is that it was a second draft of what was going to be the cover for the June 2018 issue. Hooray for low-exposure blogs such as this one, as I’m able to share the original version:
Why was it rejected? It had one too many Easter eggs in it. I knew it was a long shot to incorporate so many inside references and likenesses, but I wanted to make it the Harrisburg I know. It’s funny, because in some ways I can see that references are already outdated only two months later. If you compare it with the approved version and look past the improved the layout, you might recognize a lot of recycled elements accompanying the color palette. These were time-saving measures, as I’d already gone way over my self-imposed quota (I just discovered the Procreate on my iPad tracks hours spent). I can’t say I’m satisfied with either one (the final version feels so sparse to me), but at least I can share them here.
After 14 years of self-employment, I was ready for a new challenge. Starting Monday, I’ll be joining the NYSE full time as an engineer. I’ll only have to work part-time on Wall Street, so I fortunately won’t have to uproot the family out of Harrisburg.
I’m glad I’m transitioning on my own terms, as I could’ve taken a contract over the job offer. I’ve been pinching myself lately, as a number of long-term contract opportunities have materialized since I made this decision and it was hard saying no. Ultimately, though, my decision stemmed from a few factors:
- User experience (UX) should be king, and I’m skeptical about the quality of UX in an agency model.
I believe that larger companies that recognize the importance of their user experience (and can afford it) are bringing these services in-house. Yes, there will always be room for agencies, but it’s easy for a hired agency to say “yes” to appease their paying client, even if the work suffers. Furthermore, UX isn’t some print piece that is finite and delivered, it’s a process that needs constant monitoring and refinement. From a cost point-of-view, it makes sense for large companies to internalize this process.
- Today’s web designers don’t code.
I’ve always felt design and code go hand-in-hand. It’s part of why I believe I was never pigeonholed into a full-time position somewhere. With the emergence of Wix, Squarespace, and off-the-shelf WordPress themes, though, today’s web designer doesn’t need to code. I look around at peers and competitors that are “winning” design awards with the same cookie-cutter template with a different logo and a color palette swap, and it’s just not what I want to do.
I do believe it’s great that web publishing has been democratized, but I’m getting approached more often by clients that need their sites “fixed”. They outgrow their template or discover that it doesn’t really suit their needs, and then need someone like me to retrofit features. I like helping clients, but this is not necessarily my passion.
- Web design is dying.
Can someone that’s been out on their own for so long return to an office job? I guess I’ll find out. I won’t be shuttering my company, but I’ve been recognizing this shift in my industry and am looking forward to focusing on a dedicated product.
In 2003, a police officer stopped me for using a tripod in Times Square without a press pass. I’d just left a Broadway show and was taking a few pictures of the new Hershey Story store’s facade for potential use in a website design (back during my JPL days). The officer informed me that a press pass was required throughout the city. I left disappointed, and I spent my subsequent graduate school years in the NYC area without at thought towards doing decent night photography.
Earlier this year, I was doing consulting for a startup in Bryant Park and learned that this requirement had been lifted. I’ll likely be posting more of my favorite photos, but I spent that first night shooting the Flatiron building. Here’s the results.
It’s the end of an era.
I began using Flickr less and less while the service bounced around like a beach ball between owners (Yahoo, Vertizon, etc.). With SmugMug’s acquisition of Flickr this week, I finally decided to pull the plug on my account.
It’s funny to be sentimental about a social media service, but I remember discovering it and using it alongside my friends in grad school.
On a related note, I was discussing with a friend who considered blogging to be dead. The medium is definitely evolving, but I’ve always found comfort in the reliability of self-hosting. Ads, tracking, subscriptions–none of that here.
With that said, here’s a few pictures I recovered from my Flickr account. I’m glad I still have this site as a venue to share them.
Biking the abandoned turnpike in 2011.
Attending the Frank Robinson statue giveaway after a long night at Max’s in 2012.
My son enjoying Hersheypark.
Milton Hershey’s home. Now home to the Hershey Trust, it’s closed to the public, but I was fortunate enough to do a shoot there.
5Pointz – 2006
Manhattan as seen from Weehawken.
Castel Sant Angelo, Rome.
I guess I’m superstitious, but I often think great years are followed by…not-so-great years. This definitely felt like a transition year career-wise, though I did get to mark off a few more bucket list items. Ultimately, what this all means is I’m really looking forward to 2018! In the meanwhile, I’m keeping with my tradition of digging up photos I shot over the year that haven’t seen the light of day.
If you’re in Central PA and pick up this month’s issue of The Burg you’ll catch my cover artwork.
Ironically, I did most of this on an train and in Brooklyn, but last night I ran out to see what my inspiration looked like (only to discover the lights weren’t on!). The tree hasn’t gone up, either, so I’m hoping it does get lit up this season.
If you’re wondering what it looks like lit up, I took a few shots of the Walnut Street Bridge’s lights a few years back.
‘Seven days, seven black and white photos about your life. No people. No explanation. Challenge someone everyday.’
I refuse to perpetuate the meme, so I didn’t execute the last task, but it was a fun challenge.
About Rich Hauck
I'm a creative technologist at Hauck Interactive, Inc. and an adjunct instructor at HACC. I live in Harrisburg, Pa. with my wife and three boys. I enjoy good coffee, Trappist beers, Orioles baseball, and good design.